DUB

Dub is a genre of music[1] which grew out of reggae music in the 1960s, and is commonly considered a subgenre,[2] though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings[3] and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum andbass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, and occasional dubbing of vocal or instrumental snippets from the original version or other works.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others[2] in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy.[4] These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different. Dub has influenced many genres of music, including rock (most significantly the sub-genre of post-punk and other kinds of punk[5]), pop,[6]hip hop,[5] disco, and later house,[7] techno,[7] ambient,[7] and trip hop.[7] Dub has become a basis for the genres of jungle/drum and bass[8][9] anddubstep.[10]

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